Results for Tag #technology

WATTELIER, FLORENT. 2021. TULE & SOUND SYSTEMS. MUSIQUES EN MOUVEMENT CHEZ LES TEKO DE L’OYAPOCK (GUYANE). PHD DISSERTATION, UNIVERSITE PARIS NANTERRE

WATTELIER, FLORENT. 2024. “UN STUDIO DANS LA POCHE. TECHNIQUES D’ENREGISTREMENT ET STRATEGIES DE PRODUCTION PHONOGRAPHIQUE DES JEUNES CHANTEURS DE L’OYAPOCK (GUYANE)”. VOLUME! 21/1-2, PP. 103-117.

SEVIN, JEAN-CHRISTOPHE. 2017. “LE VINYLE, LE REGGAE ET LES SOIREES SOUND SYSTEM. UNE ECOLOGIE MEDIATIQUE“. VOLUME !, N°13/2, PP.61-79.

TSUGI MAGAZINE, ISSUE 140 (MAY 2021)

‘AFRICAN EXPEDISOUND’ BY GILLIER KRYSTOF ET DAMIEN RACLOT-DAULIAC (2004, FR/UK, 52’)

PASSEURS DE REGGAE (PODCAST)

THE SOUND-SYSTEM BLOG

DUBSOUNDS

XC6FF SOUND SYSTEM

MENUISERIE ACOUSTIQUE, RENOVATION DE CAISSONS

BICRAVEUR DE MATOS SOUND6TEM

LA GUERRE DES ENCEINTES 

LEITE, THALES. 2016. AREA 91. SÃO PAULO: FASE 10 EDITORA.

Lamen, D. 2014. Amazonian Sound Systems, Cyborg Indians, and the Future of the Future, The Global South 8 (1), 24-50.

Barros, Lydia. 2010. “Tecnobrega, entre o apagamento e o culto”. Contemporanea, 12, PP. 62 – 89

Bahia, M. 2015. “The Periphery Rises: Technology and Cultural Legitimization in Belém’s Tecnobrega”. Journal of Lusophone Studies, 13, PP. 33-54.

Lima, Andrey Faro de. 2014. “Construindo Fronteiras Sonoras Entre o Pará e o Caribe: das ondas tropicais aos intercâmbios portuários”. 29a Reunião Brasileira de Antropologia, Natal

Amaral, Paulo Murilo Guerreiro. 2009. Estigma e cosmopolitismo na constituição de uma música popular urbana de periferia. Universidade Federal do Rio Grande do Sul

‘Brega S/A’ By Vladimir Cunha and Gustavo Godinho (BR, 2009, 59′)

‘Hoje Estamos Aqui: Breve História de um Sound System Amazônico’ [Today We Are Here] by Darien Lamen (EUA/BR, 2021, 20′)

WORKSHOP DE TECNOBREGA (YouTube Channel)

GG Albuquerque. 2022. Música negra do Brasil: #7 Tecnologias do beat (PODCAST)

Amarantos, Gaby, and Maderito, Marcos. 2021. Celeste: #2 É tempo de festa (PODCAST)

Pinheiro, R., & Agência PLANO. 2017. Conheça João do Som, o arquiteto de aparelhagens do Pará. Vice Brasil.

Altar Sonoro (Social Media Profile)

Aparelhagenss (Social Media Profile)

Aparelhagem das Antigas (Social Media Channel)

Keefe, Tristram. 2010. “Yardtapes: History, Identity and Diaspora in a Dancehall Style.” PhD diss., Institute for the Study of the Americas.

MacLeod, Erin. 2020. “Ring the Alarm: Montréal soundsystems come fi mash it.” Medium.

Chamberlain, Joshua and Erin MacLeod. 2016. “Dub Fi Dub – The Most Special Specials: The most important dubplates from the most experienced clashers.” Red Bull Music Academy.

MSDROPPINIT ♫ In Every Aspect ♫ (YouTube Channel)

McDonald, Michael. 2011. “The Decentralized Dance Party Manifesto: Boomboxes, Anarchy and the Commons” (Seminar, 103”)

North, Reggae. “Rose ‘Rosa’ Green The Grandmaster Of Canadian Sound System Culture.” ReggaeNorth.com, July 15, 2022.

JAMAICA BRASILEIRA BY GLEYSER AZEVEDO (2004, BR, 35′)

REGGAE LIVE (SOCIAL MEDIA CHANNEL)

GIRALDO BARBOSA, JORGE ENRIQUE. 2016. MÚSICA CHAMPETA Y AFRICANA EN EL CARIBE COLOMBIANO: REVOLUCIÓN Y CULTURA DESDE LA VERBENA Y EL PICÓ. CÓRDOBA, ARGENTINA: ED. BABEL.

DE ZUBIRIA, ROBERTO. 2015. “HISTORIA DEL PICÓ: LA MÁQUINA COSTEÑA”. BAILEN, REVISTA DE SISTEMAS DE SONIDO LATINOAMERICANOS. MADRID ESPAÑA: ED. BRITO GARCÍA, SARA – CHICO TRÓPICO.

PARDO, MAURICIO. 2019. “DEL TAMBOR AL PICÓ: OBJETOS DE PODER EN LAS REDES FESTIVAS ARTESANALES Y TÉCNICAS EN EL CARIBE COLOMBIANO”. COSAS VIVAS: ANTROPOLOGÍA DE LOS OBJETOS, SUSTANCIAS Y POTENCIAS. PP. 71 – 99.

PACINI HERNANDEZ, DEBORAH. 1993. “THE PICÓ PHENOMENON IN CARTAGENA, COLOMBIA”. AMÉRICA NEGRA, Nº 6. PP. 69-115.

MUÑOZ VELEZ, ENRRIQUE LUIS. 2015. “EL PICK UP: CATALIZADOR SOCIAL DE CARTAGENA”. LA LIRA, AÑO 10, Nº 15. PP. 3-5.

DE LA OSSA ARCHILA, RAFAEL FRANCISCO. 2016. “BIOGRAFÍA DE UNA CHAMPETA. PRODUCCIÓN, DIFUSIÓN Y DISTRIBUCIÓN DE LA MÚSICA DE PICÓ, EN BARRANQUILLA CARIBE DE COLOMBIA”. UNIVERSIDAD COLEGIO NUESTRA SEÑORA DEL ROSARIO. BOGOTÁ.

Suárez Parias, Manuel. 2019. El Gran Latido Sound System: El Sonido Como Agente Político. Universidad De Los Andes. Bogotá .

Chude-Sokei, Louis. 1997. “Dr. Satan’s Echo Chamber”: Reggae, Technology and the Diaspora Process”. Kingston, Jamaica: Institute of Caribbean Studies, Reggae Studies Unit, University of the West Indies.

D’Aquino, Brian. 2021. Black Noise. Tecnologie della Diaspora Sonora. Milano: Meltemi (Italian)

Henriques, Julian. 2003. “Sonic Dominance and the Reggae Sound System Session”. In Bull, Michael and Back, Les (Eds.) Auditory Culture Reader, 1st Edition. eds. Oxford: Berg, pp. 451- 480.

Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London: Continuum.

Jones, Simon, and Paul Pinnock. 2018. Scientists of Sound: Portraits of a UK Reggae Sound System. Birmingham: Bassline Books.

Hitchins, Ray. 2016. Vibe Merchants: The Sound Creators of Jamaican Popular Music. Abingdon-Oxford: Routledge.

Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press