British drama film written by Franco Rosso and Martin Stellman (Quadrophenia). Filmed in SE London, it follows the young reggae MC Blue (interpreted by Brinsley Forde of British reggae act Aswad) of the fictional sound system Ital Lion facing personal and family issues as well as systemic racism and police violence, during the days ahead […]
These plenary lectures from the “Global Reggae” conference convened at the University of the West Indies, Mona, Jamaica in 2008 eloquently exemplify the breadth and depth of current scholarship on Jamaican popular music. Radiating from the Jamaican centre, these illuminating essays highlight the “glocalization” of reggae – its global dispersal and adaptation in diverse local […]
In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, among others. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere ‘noise,’ articulates a complex understanding of the border clashes […]
Cut’n’Mix tells the story of how sound and sense have been spliced together in music which began in the West Indies but ends up addressing a community stretching across the planet. Dick Hebdige is one of the founding figures of cultural studies and author of the groundbreaking Subculture: The Meaning of Style. In this seminal […]
This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK’s Afro-Caribbean community. From roots to lovers’ rock, from deejays harnessing the dancehall crowd to dub poets […]
This work provides an accessible account of a poorly understood aspect of Jamaican popular culture. It explores the socio-political meanings of Jamaicas dancehall culture. In particular, the book gives an account of the power relations within the dancehall and between the dancehall and the wider Jamaican society. Hope gives the reader an unmatched insiders view […]
DanceHall combines cultural geography, performance studies and cultural studies to examine performance culture across the Black Atlantic. Taking Jamaican dancehall music as its prime example, DanceHall reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance. Sonjah Stanley Niaah relates how dancehall emerged from […]
Wake the Town and Tell the People offers a lively, nuanced, and comprehensive view of Jamaican dancehall as a musical and cultural phenomenon: its growth and historical role within Jamaican society, its economy of star making, its technology of production, its performative practices, and its capacity to channel political beliefs through popular culture in ways […]
While tracing the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music, anthropologist Marvin D. Sterlin illuminates issues of race, ethnicity, gender, sexuality, and class. Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the […]