Results for Tag #identity

SEVIN, JEAN-CHRISTOPHE. 2023. “MARSEILLE 1984. LA RADIO, LE SOUND SYSTEM ET LA FICTION SONORE DE L’AÏOLI“. VOLUME!, N°19/2, PP.55-73.

YOD, KING DADDY. 2022. LE ROI DU DOMAINE – ENTRE MYTHE ET LEGENDE. EDITION NEG MAWON.

GRONDEAU, ALEXANDE. 2025. TONTON DAVID. LE PRINCE DES DEBROUILLARDS. AIX-EN-PROVENCE : LA LUNE SUR LE TOIT.

‘IL ETAIT UNE FOIS…RAGGAMUFFIN’ BY BABACAR SY (2010, FR, 117’30)

‘BLEU BLANC ROOTS’ (EPISODE 2) BY BRIAN FAYE (2017, FR, 33’06)

Lima, Andrey Faro de. 2014. “Construindo Fronteiras Sonoras Entre o Pará e o Caribe: das ondas tropicais aos intercâmbios portuários”. 29a Reunião Brasileira de Antropologia, Natal

Amaral, Paulo Murilo Guerreiro. 2009. Estigma e cosmopolitismo na constituição de uma música popular urbana de periferia. Universidade Federal do Rio Grande do Sul

McCuaig, Keith. 2012. “Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History.” PhD diss., Carleton University.

Wilson, John J. C. 2013. “King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990.” PhD diss., University of Guelph.

Entertainment Report (Podcast)

“Rewind Forward: Honoring the Goodness and Badness of Jamaican Music Culture” by Graeme Mathieson (2020, CA)

More Music Shows, “Canadian Reggae of the 70s & 80s” (2009, 6”)

Dacks, David. “Montreal Reggae Festival: Montreal, QC June 26-28.” Exclaim. Ontario Creates, June 30, 2009.

North, Reggae. “Rose ‘Rosa’ Green The Grandmaster Of Canadian Sound System Culture.” ReggaeNorth.com, July 15, 2022.

SILVA, CARLOS BENEDITO RODRIGUES. 2016 [2nd ED.]. DA TERRA DAS PRIMAVERAS À ILHA DO AMOR – REGGAE, LAZER E IDENTIDADE CULTURAL. SÃO LUÍS: ED. PITOMBA!

SILVA, CARLOS BENEDITO RODRIGUES. 2020 [2nd ED.]. RITMOS DA IDENTIDADE, MESTIÇAGENS E SINCRETISMOS NA CULTURA DO MARANHÃO. BELO HORIZONTE: ED. DIALÉTICA.

BRASIL, RAMUSYO. 2014. REGGAE, FUNK E TECNOBREGA: FRAGMENTOS CINTILANTES E RESSONÂNCIAS CULTURAIS DO ATLÂNTICO NEGRO E DO CARIBE NO BRASIL. SÃO LUÍS: EDUFMA

VIDIGAL, LEONARDO. 2012. “REGGAE MUSIC DOCUMENTARIES IN BRAZIL” GLOBAL REGGAE. KINGSTON: CANOE PRESS. PP. 149-168.

SOUSA, THALISSE RAMOS DE. 2016. AS ARIRIS CONTAM SUA HISTÓRIA: PARTICIPAÇÃO FEMININA NO REGGAE DE SÃO LUÍS. MASTER THESIS. SÃO LUÍS: UNIVERSIDADE ESTADUAL DO MARANHÃO – UEMA.

ROSA, MARISTANE DE SOUSA. 2006. O REGGAE NA “JAMAICA BRASILEIRA”: CIDADANIA E POLÍTICA A PARTIR DE LETRAS MUSICAIS. M.A. THESIS, CATHOLIC UNIVERSITY OF GOIÁS

KATZ, DAVID. 2019.PEDRAS, MELOS, AND RADIOLAS: BRAZILIAN REGGAE IN SÃO LUÍS DO MARANHÃO. AFROPOP/PRI. (PODCAST)

MORAIS, MARIA DO CARMO LIMA. 2008. “‘A INVENÇÃO DA EXPRESSÃO ‘JAMAICA BRASILEIRA’. CAMBIASSU (UNIVERSIDADE FEDERAL DO MARANHÃO – UFMA), ANO 18 – JAN/DEZ, P. 126-141

MUSEU DO REGGAE DO MARANHÃO – MARANHÃO REGGAE MUSEUM (SOCIAL MEDIA CHANNEL)

MOSQUERA, CLAUDIA Y PROVANSAL, MARION. 2000. “CONSTRUCCIONES DE IDENTIDAD CARIBEÑA POPULAR EN CARTAGENA DE INDIAS, A TRAVÉS DE LA MÚSICA Y EL BAILE DE CHAMPETA”. REVISTA AGUAITA, Nº 3. CARTAGENA: OBSERVATORIO DEL CARIBE COLOMBIANO. PP. 98 – 113.

BOHÓRQUEZ DÍAZ, LEONARDO. 2000. LA CHAMPETA EN CARTAGENA DE INDIAS: TERAPIA MUSICAL POPULAR DE UNA RESISTENCIA CULTURAL. IASPM-AL

Cooper, Carolyn, ed. 2012. Global Reggae. Kingston: University of the West Indies Press.

Cooper, Carolyn. 2004. Sound Clash. Jamaican Dancehall Culture at Large. New York: Palgrave Macmillan.

Hebdige, Dick. 1987. Cut’n’Mix: Culture, Identity and Caribbean Music. London: Methuen & Co. Ltd.

Henry, William, and Matthew Worley. 2021. Narratives from Beyond the UK Reggae Bassline: The System is Sound. London

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

Babylon by Franco Rosso (UK, 1980, 95’)