Esta semana, el blog presenta a nuestros lectores otra escena sonidera con una rica historia en el noreste de México. Tras una publicación anterior sobre la historia sonidera de Monterrey, la bloguera invitada Daniela Hernández Ruiz nos lleva ahora a Saltillo, hogar del Sonido Radio Pirata y cuna de la cumbia wepa.Este blog también está […]
by Yasodari Sánchez Zavala My uncle Raúl was older, he started with orchestral music, danzón, mambo, cha-cha… He first started with that music and then my dad added another rhythm, cumbia, and that’s when everyone started dancing, the rhythm started to change from tropical to Colombian, the two of them were old school sonideros, but […]
La diáspora tecnológica de la TSM a menudo se superpone con las trayectorias migratorias, generalmente del Sur Global al Norte. Este movimiento diaspórico da forma no sólo a las identidades individuales y colectivas, sino también a la música, los modelos de negocio y la misma tecnología. El sentido de pertenencia, la nostalgia, el desplazamiento y […]
The technological diaspora of SST often overlaps with migration trajectories, from the Global South to the Global North and back. This diasporic movement shapes not only individual and collective identities but also music, business models, and the technology itself. The sense of belonging, nostalgia, displacement and the various affective bonds that inform migrant communities’ life […]
Sonidero culture is particularly strong in Mexico City, where the amount of active practitioners, supporters and loyal followers is truly surprising. This has inspired scholars, photographers (see this previous blog) as well as independent film makers who have documented this incredibly lively SST scene. Among them, filmmaker Joyce Garcia, whose film Yo No Soy Guapo […]
On December 8, 2022 I had the opportunity to accompany the Sonic Street Technologies team to the 4S annual conference in Cholula, Mexico. This occasion felt special not only because it was the first time that I would be able to present my research to a wider audience, but also because I would do so […]