Results for Tag #jamaica

Suárez Parias, Manuel. 2019. El Gran Latido Sound System: El Sonido Como Agente Político. Universidad De Los Andes. Bogotá .

Cooper, Carolyn. 2004. Sound Clash. Jamaican Dancehall Culture at Large. New York: Palgrave Macmillan.

Bradley, Lloyd. 2000. Bass Culture: When Reggae Was King. London: Viking.

Hebdige, Dick. 1987. Cut’n’Mix: Culture, Identity and Caribbean Music. London: Methuen & Co. Ltd.

Henriques, Julian. 2003. “Sonic Dominance and the Reggae Sound System Session”. In Bull, Michael and Back, Les (Eds.) Auditory Culture Reader, 1st Edition. eds. Oxford: Berg, pp. 451- 480.

Henriques, Julian. 2010. “The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene”. Body & Society, 16, 1, pp. 57 – 89.

Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London: Continuum.

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Katz, David. 2003. Solid Foundation: An Oral History of Reggae. London: Bloomsbury.

Hitchins, Ray. 2016. Vibe Merchants: The Sound Creators of Jamaican Popular Music. Abingdon-Oxford: Routledge.

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press