Results for Tag #jamaica

Keefe, Tristram. 2010. “Yardtapes: History, Identity and Diaspora in a Dancehall Style.” PhD diss., Institute for the Study of the Americas.

Chamberlain, Joshua and Erin MacLeod. 2016. “Dub Fi Dub – The Most Special Specials: The most important dubplates from the most experienced clashers.” Red Bull Music Academy.

McCuaig, Keith. 2012. “Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History.” PhD diss., Carleton University.

Walker, Klive. 2012. “The Journey of Reggae in Canada.” Global Reggae (ed. Carolyn Cooper),185-211. Jamaica: Canoe Press.

Wilson, John J. C. 2013. “King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990.” PhD diss., University of Guelph.

Wilson, Jason. 2020. King Alpha’s Song in a Strange Land: The Roots and Routes of Canadian Reggae. British Columbia: UBC Press.

MSDROPPINIT (YouTube Channel)

MSDROPPINIT ♫ In Every Aspect ♫ (YouTube Channel)

Dancehallarchives (YouTube channel)

DJ Ron Nelson/ ReggaemaniaTV (YouTube Channel) 

Entertainment Report (Podcast)

“Rewind Forward: Honoring the Goodness and Badness of Jamaican Music Culture” by Graeme Mathieson (2020, CA)

CBC Music. 2021. “The true story of Canada’s reggae capital” (Canada, 7:46”)

More Music Shows, “Canadian Reggae of the 70s & 80s” (2009, 6”)

ReggaeXclusive Entertainment News (ReggaeXclusive Magazine)

Dacks, David. “Montreal Reggae Festival: Montreal, QC June 26-28.” Exclaim. Ontario Creates, June 30, 2009.

North, Reggae. “Rose ‘Rosa’ Green The Grandmaster Of Canadian Sound System Culture.” ReggaeNorth.com, July 15, 2022.

MacLeod, Erin and Joshua Chamberlain. 2016. “Sweet Reggae Music Pon di Attack: A History of Soundclash.” Red Bull Music Academy.

PAULRAJ, KAVIN DAYANANDAN. 2013. JAMAICA BRASILEIRA: THE POLITICS OF REGGAE IN SÃO LUÍS. PH.D. DISSERTATION, UNIVERSITY OF PITTSBURGH

SINTONIZAH BY LECUK ICHIDA AND WILLY BIONDANI (2015, BR, 54′)

Suárez Parias, Manuel. 2019. El Gran Latido Sound System: El Sonido Como Agente Político. Universidad De Los Andes. Bogotá .

Cooper, Carolyn. 2004. Sound Clash. Jamaican Dancehall Culture at Large. New York: Palgrave Macmillan.

Bradley, Lloyd. 2000. Bass Culture: When Reggae Was King. London: Viking.

Hebdige, Dick. 1987. Cut’n’Mix: Culture, Identity and Caribbean Music. London: Methuen & Co. Ltd.

Henriques, Julian. 2003. “Sonic Dominance and the Reggae Sound System Session”. In Bull, Michael and Back, Les (Eds.) Auditory Culture Reader, 1st Edition. eds. Oxford: Berg, pp. 451- 480.

Henriques, Julian. 2010. “The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene”. Body & Society, 16, 1, pp. 57 – 89.

Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London: Continuum.

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Katz, David. 2003. Solid Foundation: An Oral History of Reggae. London: Bloomsbury.

Hitchins, Ray. 2016. Vibe Merchants: The Sound Creators of Jamaican Popular Music. Abingdon-Oxford: Routledge.

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press