Results for Tag #book

ALLÈGRE, LAURENT. 2023. REGGAE OBSESSION. UNE HISTOIRE DE LA MUSIQUE JAMAÏCAINE EN FRANCE AU XXE SIECLE. EDITIONS LAURENT ALLEGRE.

KOSMICKI, GUILLAUME. 2024 (2010). FREE PARTY. UNE HISTOIRE DES HISTOIRES. MARSEILLE: LE MOT ET LE RESTE.

POURTAU, LIONEL. 2009. TECHNO. VOYAGE AU CŒUR DES NOUVELLES COMMUNAUTES FESTIVES. PARIS : CNRS EDITIONS.

LAFARGUE DE GRANGENEUVE, LOÏC. 2010. L’ETAT FACE AUX RAVE-PARTIES LES ENJEUX POLITIQUES DU MOUVEMENT TECHNO. TOULOUSE: PRESSES UNIVERSITAIRES DU MIRAIL.

COLOMBIE, THIERRY. 2001. TECHNOMADES. LA PISTE ELECTRONIQUE. PARIS: EDITIONS STOCK

Lemos, R., et al. 2008. Tecnobrega: o Pará reinventando o negócio da música. Aeroplano Editora

LEITE, THALES. 2016. AREA 91. SÃO PAULO: FASE 10 EDITORA.

Wilson, Jason. 2020. King Alpha’s Song in a Strange Land: The Roots and Routes of Canadian Reggae. British Columbia: UBC Press.

SILVA, CARLOS BENEDITO RODRIGUES. 2016 [2nd ED.]. DA TERRA DAS PRIMAVERAS À ILHA DO AMOR – REGGAE, LAZER E IDENTIDADE CULTURAL. SÃO LUÍS: ED. PITOMBA!

SILVA, CARLOS BENEDITO RODRIGUES. 2020 [2nd ED.]. RITMOS DA IDENTIDADE, MESTIÇAGENS E SINCRETISMOS NA CULTURA DO MARANHÃO. BELO HORIZONTE: ED. DIALÉTICA.

BRASIL, RAMUSYO. 2014. O REGGAE NO CARIBE BRASILEIRO. SÃO LUÍS: PITOMBA!

BRASIL, RAMUSYO. 2014. REGGAE, FUNK E TECNOBREGA: FRAGMENTOS CINTILANTES E RESSONÂNCIAS CULTURAIS DO ATLÂNTICO NEGRO E DO CARIBE NO BRASIL. SÃO LUÍS: EDUFMA

FREIRE, KARLA. 2019 (2nd Ed.). ONDE O REGGAE É A LEI. SÃO LUÍS: EDUFMA

GIRALDO BARBOSA, JORGE ENRIQUE. 2016. MÚSICA CHAMPETA Y AFRICANA EN EL CARIBE COLOMBIANO: REVOLUCIÓN Y CULTURA DESDE LA VERBENA Y EL PICÓ. CÓRDOBA, ARGENTINA: ED. BABEL.

CARBONELL TORRES, JUAN JOSÉ. 2022. CHAMPETA: RESISTENCIA CULTURAL DEL CARIBE. CARTAGENA: ED. INDEPENDIENTE.

SANZ GIRALDO, MARÍA ALEJANDRA. 2012. FIESTA DE PICÓ: CHAMPETA, ESPACIO Y CUERPO EN CARTAGENA, COLOMBIA. BOGOTÁ: UNIVERSIDAD DEL ROSARIO.

Cooper, Carolyn, ed. 2012. Global Reggae. Kingston: University of the West Indies Press.

Cooper, Carolyn. 2004. Sound Clash. Jamaican Dancehall Culture at Large. New York: Palgrave Macmillan.

Bradley, Lloyd. 2000. Bass Culture: When Reggae Was King. London: Viking.

D’Aquino, Brian. 2021. Black Noise. Tecnologie della Diaspora Sonora. Milano: Meltemi (Italian)

Hebdige, Dick. 1987. Cut’n’Mix: Culture, Identity and Caribbean Music. London: Methuen & Co. Ltd.

Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London: Continuum.

Henry, William, and Matthew Worley. 2021. Narratives from Beyond the UK Reggae Bassline: The System is Sound. London

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Jones, Simon, and Paul Pinnock. 2018. Scientists of Sound: Portraits of a UK Reggae Sound System. Birmingham: Bassline Books.

Hitchins, Ray. 2016. Vibe Merchants: The Sound Creators of Jamaican Popular Music. Abingdon-Oxford: Routledge.

Huxtable, Paul. 2014. Sound System Culture: Celebrating Huddersfield’s Sound Systems, London: One Love Books

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan University Press