Results for Tag #dancehall

Keefe, Tristram. 2010. “Yardtapes: History, Identity and Diaspora in a Dancehall Style.” PhD diss., Institute for the Study of the Americas.

MacLeod, Erin. 2020. “Ring the Alarm: Montréal soundsystems come fi mash it.” Medium.

Chamberlain, Joshua and Erin MacLeod. 2016. “Dub Fi Dub – The Most Special Specials: The most important dubplates from the most experienced clashers.” Red Bull Music Academy.

McCuaig, Keith. 2012. “Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History.” PhD diss., Carleton University.

Stanley-Niaah, Sonjah N. 2010. “Performing Boundarylessness.” In Dancehall: From Slave Ship to Ghetto, 150-174. Ottawa: University of Ottawa Press.

MSDROPPINIT (YouTube Channel)

MSDROPPINIT ♫ In Every Aspect ♫ (YouTube Channel)

Platinum Party 2007 ft. Rodigan, Barry G, Rory of Stone Love (YouTube Video)

DJ Ron Nelson/ ReggaemaniaTV (YouTube Channel) 

Entertainment Report (Podcast)

“Rewind Forward: Honoring the Goodness and Badness of Jamaican Music Culture” by Graeme Mathieson (2020, CA)

CBC Music. 2021. “The true story of Canada’s reggae capital” (Canada, 7:46”)

ReggaeXclusive Entertainment News (ReggaeXclusive Magazine)

“Word: The Soul of Urban Culture.” WordMag, 2015.

Dacks, David. “Montreal Reggae Festival: Montreal, QC June 26-28.” Exclaim. Ontario Creates, June 30, 2009.

North, Reggae. “Rose ‘Rosa’ Green The Grandmaster Of Canadian Sound System Culture.” ReggaeNorth.com, July 15, 2022.

MacLeod, Erin and Joshua Chamberlain. 2016. “Sweet Reggae Music Pon di Attack: A History of Soundclash.” Red Bull Music Academy.

ARROYO GUERRA, LEISON. 2018. PERTINENCIA DEL PICK UP COMO PATRIMONIO MATERIAL E INMATERIAL EN EL ENTRAMADO DE LAS CELEBRACIONES FESTIVAS DEL MUNICIPIO DE TURBO: UNA PREGUNTA POR SU POSICIONAMIENTO COMO DISPOSITIVO CULTURAL. MONOGRAFÍA DE GRADO, UNIVERSIDAD DE ANTIOQUIA, TURBO.

Cooper, Carolyn, ed. 2012. Global Reggae. Kingston: University of the West Indies Press.

Henriques, Julian. 2003. “Sonic Dominance and the Reggae Sound System Session”. In Bull, Michael and Back, Les (Eds.) Auditory Culture Reader, 1st Edition. eds. Oxford: Berg, pp. 451- 480.

Henriques, Julian. 2010. “The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene”. Body & Society, 16, 1, pp. 57 – 89.

Henriques, Julian. 2011. Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London: Continuum.

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

X-Tra Wicked: A History of the Digital B Label by Romain Chiffre (US/JA, 2017, 52’)