Results for Tag #identity

McCuaig, Keith. 2012. “Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History.” PhD diss., Carleton University.

Wilson, John J. C. 2013. “King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990.” PhD diss., University of Guelph.

Entertainment Report (Podcast)

“Rewind Forward: Honoring the Goodness and Badness of Jamaican Music Culture” by Graeme Mathieson (2020, CA)

More Music Shows, “Canadian Reggae of the 70s & 80s” (2009, 6”)

Dacks, David. “Montreal Reggae Festival: Montreal, QC June 26-28.” Exclaim. Ontario Creates, June 30, 2009.

North, Reggae. “Rose ‘Rosa’ Green The Grandmaster Of Canadian Sound System Culture.” ReggaeNorth.com, July 15, 2022.

SILVA, CARLOS BENEDITO RODRIGUES. 2016 [2nd ED.]. DA TERRA DAS PRIMAVERAS À ILHA DO AMOR – REGGAE, LAZER E IDENTIDADE CULTURAL. SÃO LUÍS: ED. PITOMBA!

SILVA, CARLOS BENEDITO RODRIGUES. 2020 [2nd ED.]. RITMOS DA IDENTIDADE, MESTIÇAGENS E SINCRETISMOS NA CULTURA DO MARANHÃO. BELO HORIZONTE: ED. DIALÉTICA.

BRASIL, RAMUSYO. 2014. REGGAE, FUNK E TECNOBREGA: FRAGMENTOS CINTILANTES E RESSONÂNCIAS CULTURAIS DO ATLÂNTICO NEGRO E DO CARIBE NO BRASIL. SÃO LUÍS: EDUFMA

VIDIGAL, LEONARDO. 2012. “REGGAE MUSIC DOCUMENTARIES IN BRAZIL” GLOBAL REGGAE. KINGSTON: CANOE PRESS. PP. 149-168.

SOUSA, THALISSE RAMOS DE. 2016. AS ARIRIS CONTAM SUA HISTÓRIA: PARTICIPAÇÃO FEMININA NO REGGAE DE SÃO LUÍS. MASTER THESIS. SÃO LUÍS: UNIVERSIDADE ESTADUAL DO MARANHÃO – UEMA.

ROSA, MARISTANE DE SOUSA. 2006. O REGGAE NA “JAMAICA BRASILEIRA”: CIDADANIA E POLÍTICA A PARTIR DE LETRAS MUSICAIS. M.A. THESIS, CATHOLIC UNIVERSITY OF GOIÁS

KATZ, DAVID. 2019.PEDRAS, MELOS, AND RADIOLAS: BRAZILIAN REGGAE IN SÃO LUÍS DO MARANHÃO. AFROPOP/PRI. (PODCAST)

MORAIS, MARIA DO CARMO LIMA. 2008. “‘A INVENÇÃO DA EXPRESSÃO ‘JAMAICA BRASILEIRA’. CAMBIASSU (UNIVERSIDADE FEDERAL DO MARANHÃO – UFMA), ANO 18 – JAN/DEZ, P. 126-141

MUSEU DO REGGAE DO MARANHÃO – MARANHÃO REGGAE MUSEUM (SOCIAL MEDIA CHANNEL)

MOSQUERA, CLAUDIA Y PROVANSAL, MARION. 2000. “CONSTRUCCIONES DE IDENTIDAD CARIBEÑA POPULAR EN CARTAGENA DE INDIAS, A TRAVÉS DE LA MÚSICA Y EL BAILE DE CHAMPETA”. REVISTA AGUAITA, Nº 3. CARTAGENA: OBSERVATORIO DEL CARIBE COLOMBIANO. PP. 98 – 113.

BOHÓRQUEZ DÍAZ, LEONARDO. 2000. LA CHAMPETA EN CARTAGENA DE INDIAS: TERAPIA MUSICAL POPULAR DE UNA RESISTENCIA CULTURAL. IASPM-AL

Cooper, Carolyn, ed. 2012. Global Reggae. Kingston: University of the West Indies Press.

Cooper, Carolyn. 2004. Sound Clash. Jamaican Dancehall Culture at Large. New York: Palgrave Macmillan.

Hebdige, Dick. 1987. Cut’n’Mix: Culture, Identity and Caribbean Music. London: Methuen & Co. Ltd.

Henry, William, and Matthew Worley. 2021. Narratives from Beyond the UK Reggae Bassline: The System is Sound. London

Hope, Donna P. 2001. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Mona: University of the West Indies Press.

Stanley-Niaah, Sonjah Nadine. 2010. Dancehall: From Slave Ship to Ghetto. Ottawa: University of Ottawa Press.

Stolzoff, Norman C. 2000. Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham and London: Duke University Press.

Sterling, Marvin D. 2010. Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan, Durham: Duke University Press.

Babylon by Franco Rosso (UK, 1980, 95’)